Testseek.com have collected 37 expert reviews of the Canon EF 16-35mm f/2.8L 3 USM and the average rating is 84%. Scroll down and see all reviews for Canon EF 16-35mm f/2.8L 3 USM.
(84%)
37 Reviews
Average score from experts who have reviewed this product.
Users
(100%)
161 Reviews
Average score from owners of the product.
84010037
The editors liked
Solid casing
Excellent image quality in the frame centre
Very good image quality on the edge of the APSC sensor
Good image quality on the edge of full frame
Imperceptible longitudinal chromatic aberration
Lack of serious problems with lateral chromat
Wide-angle zoom
Full-frame coverage
Wide f/2.8 aperture
Strong image quality
Fluorine lens coating
L-series build quality
Advanced coatings
Fast and constant aperture
Low-light event photography
Landscape
Cityscape and architectural photography and those looking for a wide-angle zoom option for astrophotography
The editors didn't like
A bit too high coma for the longer end of focal range
Monstrous vignetting on full frame
After testing this lens you would want to shout ‘finally!'. It took three versions of the 1635 mm f/2.8 lens in order to get the proof Canon is able to design such
L-series build quality, Advanced coatings, Fast and constant aperture,
Not the widest-angle in class, No image stabilization, Pretty pricey to buy,
Holding up the wide-angle end of Canon's trinity f/2.8 zooms for DSLRs (or mirrorless EOS R-series cameras via a mount adapter), the third and latest edition of this lens represents an extensive revamp. Corner-sharpness is much improved, compared with pre...
Published: 2017-03-14, Author: Joe , review by: shutterbug.com
Abstract: The zoom range of Canon's EF 28-135mm f/3.5-5.6 IS USM lens encompasses the entire trinity of focal lengths—85mm, 105mm, and 135mm—for portraiture. While the f/3.5-5.6 variable aperture may be a bit slow for available light portraits, it's more than made...
Published: 2016-12-19, Author: Chris , review by: dpreview.com
Low-light event photography, landscape, cityscape and architectural photography and those looking for a wide-angle zoom option for astrophotography
Portrait, studio work or macro photography
The updated Canon 16-35mm F2.8L III offers some incredible performance wide open at 16mm. It's one of the sharpest wide angle zoom lens options on the market. Many of the issues such as coma, chromatic aberration and corner sharpness have all been address...
Abstract: Sample Images Intro SpecificationsPerformance Compared RecommendationsCanon EF 16-35mm f/2.8 L III (82mm filters, 27.9 oz./790g, 0.9'/0.28m close-focus, $2,199 ) bigger. I got mine at Adorama. I'd also get it at Amazon, at B&H or at Crutchfield. This a...
Published: 2016-12-16, Author: Paul , review by: dxomark.com
Abstract: Canon has launched the 3rd iteration of its popular EF 16-35mm f/2.8L wide-angle zoom lens, predominantly for full frame press, sport and action photographers. Significant improvements to outer field sharpness on the new $2199 EF 16-35mm f/2.8L III also m...
solid casing, excellent image quality in the frame centre, very good image quality on the edge of the APSC sensor, good image quality on the edge of full frame, imperceptible longitudinal chromatic aberration, lack of serious problems with lateral chromat
a bit too high coma for the longer end of focal range, monstrous vignetting on full frame, After testing this lens you would want to shout ‘finally!'. It took three versions of the 1635 mm f/2.8 lens in order to get the proof Canon is able to design such
After testing this lens you would want to shout ‘finally!'. It took three versions of the 16-35 mm f/2.8 lens in order to get the proof Canon is able to design such an instrument. After two previous, not completely satisfying versions you get a lens which...
Abstract: Canon is one of the most trusted names in photography, and countless enthusiasts, family photographers, and pros reach for its cameras to capture the natural world. The company's SLRs can swap lenses, so you can change the angle of view to snap shots of w...
Ouverture constante f/2,8, Qualité de fabrication, prise en main, Poids et encombrement, Bagues de réglages
Manque d'homogénéité du piqué, Vignetage très important
Ce nouveau 16-35 mm affronte sans sourciller les 50 millions de pixels de l'EOS 5DsR. C'est une bonne optique qui délivre un haut niveau de piqué malgré des défauts d'homogénéité entre le centre et les bords les plus extrêmes à toutes les ouvertures — ce...
