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Reviews of Canon EF 135mm f/2.0L USM

Testseek.com have collected 22 expert reviews of the Canon EF 135mm f/2.0L USM and the average rating is 70%. Scroll down and see all reviews for Canon EF 135mm f/2.0L USM.
 
(70%)
22 Reviews
Users
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70 0 100 22

The editors liked

  • High build quality
  • Excellent image quality in the frame centre
  • Very good image quality on the edge of the frame
  • Chromatic aberration amounting to zero
  • Imperceptible distortion
  • Splendidly corrected coma
  • Negligible astigmatism
  • Low vignetting on the A
  • Quite sharp. Minimal distortion. Wide aperture.

The editors didn't like

  • Resolution on the edge of full frame at the maximum relative aperture a bit below decency level
  • Huge vignetting on full frame by f/2.0
  • Work against bright light could have been better.
  • Lacks optical stabilization

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Reviews

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  Published: 2015-12-07, Author: Paul , review by: dxomark.com

  • Abstract:  In Part 2 of our best lenses for the Canon EOS 5DS R review, we're looking at the best optics for travel, wildlife, portrait and event photography. Whether you're looking for a versatile zoom for weddings, a prime for the best quality portraits, or a prof...

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  Published: 2015-08-05, Author: Paul , review by: dxomark.com

  • Abstract:  In Part 2 of “Best lenses for the EOS 7D Mark II,” we're looking at the performance of primes on Canon's flagship APS-C sensor.We've analyzed over 300 fixed-focal-length lenses on the EOS 7D Mark II, including own-brand Canon EF and EF-S lenses that are d...

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  Published: 2014-08-14, review by: bobatkins.com

  • The fast f2 aperture can even blur out backgrounds which are quite close to the main subjectThe is one of Canon's best lenses. For an "L" series lens it's reasonably priced at less than $1000 and its optical performance is excellent. It works well for por...

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  Published: 2014-06-24, Author: Kevin , review by: dxomark.com

  • Abstract:  With a full-frame 18-Mpix CMOS sensor and twin Digic 5+ processers that's capable of continuous bursts of up 12 fps – the fastest of any professional DSLR currently - the Canon EOS-1 Dx is the firm's flagship press camera. We've assessed it with over 100...

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(60%)
 
  Published: 2014-06-03, Author: Kevin , review by: dxomark.com

  • Abstract:  In the first part of our comprehensive lens recommendations for the new entry-level Canon EOS Rebel T5 / 1200D, we've assessed a raft of primes from both the maker and third parties to see how well they perform on the camera. As well as highlighting the b...

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(36%)
 
  Published: 2013-08-19, review by: Slrgear.com

  • Abstract:  Bottom line, this is just an outstanding lens by any measure, one that makes clear why you'd want to pay the freight for expensive prime glass. - Actually though, it's performance is so good that you really have to consider it a bargain, even at the $800-...

 
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(98%)
 
  Published: 2013-07-15, Author: Jim , review by: pcmag.com

  • Quite sharp. Minimal distortion. Wide aperture.
  • Lacks optical stabilization
  • The Canon EF 135mm f/2L USM is a classic portrait lens with sharp optics and an impressive aperture, but it's not optically stabilized....

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(80%)
 
  Published: 2013-07-09, Author: Tuesday , review by: dxomark.com

  • Abstract:  This is the first of a three part series on choosing suitable lenses for Canon's entry-level full frame camera, the EOS 6D. The 20-Mpix CMOS' sensor used is similar in architecture to that in Canon's hugely popular full-frame EOS 5D Mk III, a camera that...

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(60%)
 
  Published: 2013-07-09, Author: Kevin , review by: dxomark.com

  • Abstract:  In the lead up to Photokina 2012, Canon announced the new Canon EOS 6D full-frame entry-point model within days of Nikon publicizing their most-affordable full-frame camera to date, the 24-Mpix D600. While the EOS 6D boasted some attention grabbing featur...

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(60%)
 
  Published: 2011-10-03, review by: lenstip.com

  • high build quality, excellent image quality in the frame centre, very good image quality on the edge of the frame, chromatic aberration amounting to zero, imperceptible distortion, splendidly corrected coma, negligible astigmatism, low vignetting on the A
  • resolution on the edge of full frame at the maximum relative aperture a bit below decency level, huge vignetting on full frame by f/2.0, work against bright light could have been better.

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